The New York Post ran an enlightening Convention Special supplement on August 28th, 2008 with the telling headline: ‘O’ MY GOD: DEMS ERECT OBAMA TEMPLE blazoned across the front cover.
Temple of Satan (Zeus)
German Remake of The Throne of Satan (Temple Of Zeus)
The Current Pope was an altar boy and Nazi Hitler Youth
News Paper Headline The Throne Of Obama:‘O’ MY GOD: DEMS ERECT OBAMA TEMPLE blazoned across the front cover.
Throne of Satan In Turkey
"And to the angel of the church in Pergamos write; These things saith he which hath the sharp sword with two edges; I know thy works, and where thou dwellest, even where Satan’s seat is: and thou holdest fast my name, and has not denied my faith, even in those days wherein Antipas was my faithful martyr, who was slain among you, where Satan dwelleth" (Rev. 2:12-13).
In the Greek, the phrase "where Satan’s seat is" literally means, "where a throne to Satan is." Scholars identify this throne or ‘seat’ as the Great Altar of Zeus that existed in Pergamos at that time. So important was
the worship of Zeus in ancient Pergamos that perpetual sacrifices were offered to him upon the towering and famous 40-foot high altar. Antipas, the first leader and martyr of the early Christian church is believed to have been slain on this altar, slowly roasting to death inside the statue of a bull, the symbol and companion of Zeus. The phrase in Revelation 2:13 "wherein Antipas was my faithful martyr, who was slain among you, where Satan dwelleth" is considered a citation of this event.
Approximately two-thousand years after Revelation 2:13 was written, German archeologists removed the massive altar of Zeus from the ruins of Pergamos and took it to Berlin, where it was restored as the centerpiece of the Pergamon Museum. It is here that Hitler first adored it, later building an outdoor replica of it from which he gave a series of speeches that mesmerized many Germans.
Faggotry Has Returned Once Again:
"Faggotry" defined as; the act of being a fag or spreading the practice by Political Correctness
or molestation of children. " (See Faggotry)
Because Greek temples such as those built to honor Zeus were thought to house the patron deity, the GOP ridiculed Obama, mocking him as playing Zeus of "Mount Olympus" and accusing his supporters of "kneeling" before the "Temple of Obama." The New York Post ran an enlightening Convention Special supplement on August 28th, 2008 with the telling headline: ‘O’ MY GOD: DEMS ERECT OBAMA TEMPLE blazoned across the front cover.
Thus, incredibly, like Hitler, Obama had honored the goddess Victoria with his presence before ordering a replica of the biblical throne of Satan built, upon which he accepted his date with destiny. Joel Richardson
pointed out how the design of Obama’s stage was a dead ringer for the Great Altar of Zeus that Obama’s campaign managers tried to explain away the design as being a conglomeration representing the portico of the White House with the U.S. capital building. "But experts agreed with Richardson," Gallo wrote, "it was a replica of the Great Altar of Pergamum."
The altar lost its function at the latest in Late Antiquity, when Christianity replaced and suppressed polytheistic religions. In the 7th century the acropolis of Pergamon was strongly fortified as a defense against the Arabs. In the process the Pergamon Altar, among other structures, was partially destroyed in order to reuse the building material. The city was nevertheless defeated in 716 by the Arabs, who temporarily occupied it before abandoning it as unimportant. It was only resettled in the 12th century. In the 13th century Pergamon fell to the Turks.
The pieces could not initially be presented in an appropriate exhibition context and were placed in the overfilled Altes Museum, where especially the Telephus frieze could not be well displayed (the individual slabs were simply leant against the wall facing the altar). For this reason a new purpose-built museum was erected. The first "Pergamon Museum" was built between 1897 and 1899 by Fritz Wolff and opened in 1901 with the unveiling of a bust of Carl Humann by Adolf Brütt. This building was used until 1908 but was regarded as being only an interim solution and was accordingly called the "temporary building". Originally four archaeological museums were planned, one of them for the Pergamon Altar. But the first museum had to be demolished because of problems with the foundation. Also, it had originally been intended only for finds which could not be presented in the other three archaeological museums and thus from the beginning it was too small for the altar. After the museum was demolished, the Telephus frieze was set into the walls of the colonnade on the eastern side of the Neues Museum, but with windows allowing a view of the art objects.
The new building, designed by Alfred Messel, took until 1930 to construct, due to delays caused by World War I, the German Revolution of 1918–1919 and the hyperinflation of 1922/1923. This new Pergamon Museum presented the altar basically as it is seen today. There was a partial reconstruction in the central gallery of the museum with the frieze fragments installed on the surrounding walls. The Telephus frieze is, as in the original construction, reached via the flight of stairs, but only an abbreviated version is on display. It is not known why the complete altar was not reconstructed when the new museum was built and the frieze installed. When conceiving the exhibit, Theodor Wiegand, the museum's director at that time, followed the ideas of Wilhelm von Bode, who had in mind a great "German Museum" in the style of the British Museum. But there was obviously no overall concept, and given the reigning idea of a major architecture museum presenting examples of all Ancient Near Eastern and Mediterranean cultures, the display of the altar had to be condensed. Up until the end of World War II, only the eastern part of the museum with the three large architecture galleries was called the "Pergamon Museum".
In 1939 the museum closed because of World War II. Two years later the reliefs were taken down and stored elsewhere. At the end of the war, the pieces of the altar which had been placed in an air-raid shelter near the Berlin zoo fell into the hands of the Red Army and were taken to the Soviet Union as war trophies. They were stored in the depot of the Hermitage Museum in Leningrad until 1958. In 1959 a large part of the collection was returned to East Germany (GDR), including the altar fragments. Under the leadership of the museum's then director, Carl Blümel, only the altar was presented as it had been before the war. The other antiquities were newly arranged, not least because the Altes Museum had been destroyed. In October of that year the museum reopened. In 1982 a new entrance area was created which permitted a visit to the museum to begin with the Pergamon Altar. Previously, the entrance had been in the west wing of the building, so that visitors had to pass through the Vorderasiatisches Museum Berlin (Middle East Museum) to get to the Pergamon Altar. In 1990, 9 heads from the Telephus frieze, which had been evacuated to the western part of Berlin because of the war, returned to the Pergamon Museum. All these war-related events had negative consequences for the remaining altar and frieze fragments. It also turned out that earlier restorations had created problems. The clamps and fasteners which connected the individual fragments and also served to anchor the frieze and sculpture to the wall were made of iron, which had started to rust. As this rust spread it threatened to crack open the marble from the inside. Restoration became urgent after 1990. From 1994 to 1996 the Telephus frieze, parts of which had not been accessible in the 1980s, was worked on.
In Greek mythology, Ganymede (Greek: Γανυμήδης, Ganymēdēs) is a divine hero whose homeland was Troy. Homer describes Ganymede as the most beautiful of mortals. In the best-known myth, he is abducted by Zeus, in the form of an eagle, to serve as cup-bearer in Olympus. Some interpretations of the myth treat it as an allegory of the human soul aspiring to immortality. It also served as a model for the Greek social custom of paiderasteia, the relationship between a man and a youth. The Latin form of the name was Catamitus, from which the English word "catamite" derives. [In Greek mythology, Ganymede, or Ganymedes (Greek: Γανυμήδης, Ganymēdēs), is a divine hero whose homeland was Troy. He was a prince, son of the eponymous Tros of Dardania and of Callirrhoe, and brother of Ilus and Assaracus.] (see Catamite: cat·a·mite noun /ˈkatəˌmīt/ catamites, plural : A boy kept for homosexual practices. See Nationalist Socialist Workers Party of Germany "gay practices", Bacha Bazi of Islam, Catholic Priest Abuse, and "Boylovers" in the leftist Democratic Movement. [www.boylinks.net] also NAMBLA and the "Repeal Sex Offender Laws; www.rsol.org."
These are the direct connections with the worship of "evil", great monuments, egos, and homosexuality in control of government. (See Political Correct Movement, see Nazism or Liberal Progressives)
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